Professor William James of Harvard was one of America’s greatest psychologist – philosophers and was one of the founders of the Pragmatic school of thought — that only those principles that can be demonstrated not only theoretically, by deduction, but practically, by use, deserve intelligent consideration.
And yet this unbending pragmatist was converted to a belief in psychic phenomena to such a degree that he became one of the founding members of the American Society for Psychical Research (ASPR).
The medium who accomplished this seemingly impossible conversion was a woman named Leonora Piper, who was the reason that Professor James coined the adage about “the one white crow that proves that not all crows are black.” She became to him the one honest Spiritualist medium whose mere existence refuted the charge that all mediums are fakes.
LEONORA PIPER, CIRCA 1870s.
The incident marked the start of Leonora’s public career as a medium. She soon began giving readings in her home, the startling accuracy of which drew sitters from well beyond the city limits of Boston. Word of her reputation eventually reached the ears of William James, renowned psychologist and brother of expatriate writer Henry James (The Golden Bowl, Daisy Miller, The Bostonians) and spiritual seeker.
WILLIAM JAMES, PIONEERING PSYCHOLOGIST, PRAGMATIC PHILOSOPHER, AND LIFELONG SPIRITUAL SEEKER
James’ interest in spiritualism surfaced after his marriage to Alice Gibbens in 1878, with whom he had two sons. Following the death of their second son Herman around 1885, James, like so many bereaved parents before him, turned to spiritualism for comfort. The renowned philosopher had already begun an exploration of so-called spiritual matters some years before. A man known and even revered by some for his pragmatical approach to philosophical questions, James had always harbored a sympathetic attitude toward the idea of spirit contact, and on visiting the deathbed of his friend, Frederic Myers, who had served as the president of the American Society for Psychical Research, had asked Myers to attempt to make contact after his death. James never received the desired messages from beyond. Disappointed, he still continued to pursue his interest in spiritualism, stating that it “one needs only to find one white crow in order to prove that not all crows are black.” Soon after making that statement, he found his “white crow”…in Leonora Piper.
FREDERIC MYERS, WILLIAM JAMES’ FRIEND IN LIFE, A DISAPPOINTMENT IN DEATH
James first heard of Leonora Piper through his mother-in-law, who visited the Boston medium under an assumed name not only to maintain secrecy as to her true identity, but to prevent Leonora from digging up personal facts about her life that she might later attribute to her supposed mediumistic abilities. But her secrecy had no effect on Leonora’s abilities. On visiting Leonora, Mrs. Gibbens was astounded when the medium purportedly passed on several messages from spirit which referenced a number of her relatives, living and dead, and which contained astonishingly accurate details which Mrs. Gibbens was convinced Leonora could not have known by “any normal means.” Impressed and excited, Mrs. Gibbens returned home and gushed about Leonora to her son-in-law who, by his own account, derided her for her credulity. He called her a “victim of a medium’s trickery” and even went so far as to demonstrate to her the many ways in which someone like Leonora Piper was able to fool gullible members of the public. But Mrs. Gibbens would not be swayed, and made a second visit to Leonora’s home, this time accompanied by James’ sister-in-law, who came away equally impressed. Frustrated by the women’s insistence on Leonora’s authenticity, and now somewhat curious to meet her himself, James made his own trek to the Piper parlor for a reading.
SPIRIT TRUMPET, ONE OF MANY MEDIUMSTIC “PROPS” USED IN 19TH CENTURY SEANCES AND EVEN IN THOSE OF TODAY. BUT A PROP NOT FOUND IN LEONORA PIPER’S PARLOR.
Later, writing about that first meeting with Leonora Piper, James remarked on his surprised at finding her parlor devoid of the usual array of mediumistic props. There were no spirit trumpets or bells for spirits to talk through or to ring, no spirit cabinet, no red-tinted lamps to cast an eerie glow on the proceedings and trick sitters’ eyes into seeing things that weren’t there. There was only Leonora Piper, a demure, diminutive woman, who told James and the several other sitters present to sit wherever they wished before warning them not to expect to witness anything of a sensational nature during the reading. She was not the sort of medium who made things fly about the room, she explained, and there would be no manifestations of spirit images appearing before them. She would simply do what she always did, which was to go into trance and allow her spirit guides (or “controls”) to take over and give messages, following which she would awaken with no memory of what had taken place.
THE MEDIUM AT THE HEIGHT OF HER FAME
James was impressed with what occurred. Writing about it later on, he said, “My impression after this first visit was that Mrs. Piper was either possessed of supernormal powers or knew the members of my wife’s family by sight and had by some lucky coincidence become acquainted with such a multitude of their domestic circumstances as to produce the startling impression which she did. My later knowledge of her sittings and personal acquaintance with her has led me to absolutely reject the latter explanation, and to believe that she has supernormal powers.” Following that initial visit, James made appointments for 25 of his friends to visit Leonora, thus hoping to test her veracity regarding other sitters. He was not disappointed in his quest. For the next two years, the “pragmatic philosopher” continued to test the Boston medium, even hiring a private detective (without telling Leonora) to follow her around and make certain that she wasn’t gleaning information about her sitters through surreptitious means.
The one caveat for James throughout his testing of Leonora was her use of an alleged spirit control who identified himself as a deceased French physician called “Dr. Phinuit”, but since “Phinuit” was never able to give a satisfactory account of his earthly life, seemed to know next to nothing about medicine, and couldn’t even speak French, James concluded that the “spirit” was most likely a sub-conscious aspect of Leonora’s personality, the fact of which did not detract from his belief in the lady’s “tremendous” abilities as a medium.
WILLIAM JAMES, THE PRAGMATIC PHILOSOPHER WHO INTRODUCED LEONORA PIPER TO THE PUBLIC
In the mid-1880s, James took Leonora to England, where he introduced her to some of the great psychical researchers of the day, including Sir Oliver William Holmes, Henry Sedgwick, and FWH Meyers of the British SPR. According to all accounts, Leonora’s mediumistic performance in England was every bit as impressive as it had been back in the States, despite being kept under close, constant watch and even allowing her mail to be open and read as proof against fraudulence. Surprisingly, her success in England was met with some instances of scorn once she returned to Boston. After giving an interview in which she stated that she could not be sure whether she was actually being controlled by spirits during trance or whether her abilities were a result of ESP, The New York Herald ran a piece titled “Mrs. Leonora Piper’s Plain Statement” in which they pointed to the statement as a confession of fraudulence on Leonora’s part. At one point, in an effort to test the depth of her trance, Leonora was subjected to harsh treatment from several psychical investigators not associated with James which resulted in “a badly blistered tongue”, according to her daughter Alta’s subsequent biographical account of the incident.
Leonora returned to England in 1908 where she was one of several mediums who took part in the famous cross correspondence sessions, during which each medium (all of whom were from different areas, and some from other countries) allegedly received bits and pieces of spirit messages which made no sense on their own, but which, when connected, comprised a coherent message which was supposed to prove the validity of the respective spirit communications. The pressure of her involvement with the sessions had a debilitating effect on Leonora who returned to her home in Boston to find that she had lost her mediumistic abilities, a state which lasted until 1911. When her abilities finally did resurface, she found that she was only able to access them through automatic writing. She was never again able to go into trance.
LEONORA PIPER, POST-INVESTIGATIONS, CIRCA 1940s
Leonora Piper died in 1950, her name still associated with that of William James and the investigations she had undergone under his scrutiny. By that time, James was long dead, having passed away in 1910, but not before writing extensively about Leonora, his “white crow”, and declaring, as his final verdict on the case, that she “unquestionably displayed supernormal knowledge” of facts which could not be otherwise known to her, but that he remained unconvinced that it was the result of spirit agency.
- A Stroll With William James and Jacques Barzun (calgough.wordpress.com)
Beautiful Beehives of the Day!
Here are some beehives that may touch upon not just one, but two, major phobias of normal folks – bees and heights. These villagers in China decided to combine the two!
Pictures and text (translated from Chinese) published by and property of China Daily:
Located in Shennongjia, Hubei Province (central China), at the gate of a mountain, on a cliff 1200 meters above sea level, 700+ beehives hang on the face of a cliff. From far away, they look like rows of mini coffins; this is where the bees call ‘home’. Shennongjia’s bees are considered crucial to the ecosystem of central China, considering the sharp population decline, and that in Northern China bees are mostly extinct. Shennongjia has become Shangri-la for bees. The pictured hives are in a conservation area and are hung on the side of a cliff to imitate the bees natural habitat in hopes of attracting wild bees.
Honey bees are permanent guests of the Waldorf Astoria
The historic Manhattan property, known as the inn of choice for heads of state, has installed six beehives in a rooftop space on the 20th floor that also serves as a chef’s garden.
The Waldorf Astoria’s director of culinary operations, David Garcelon, spearheaded the initiative and has incorporated the honey produced by his bees into dishes served at the hotel’s restaurants.
The Waldorf is only one of a long string of hotels taking in bees. Fairmont Hotels and Resorts, for instance, has more than a dozen properties with beehives on-site.
Hotels are increasingly adding locally sourced food to their menus, and beekeeping allows them to produce organic honey for food and cocktails. The hotels also say they are helping to save the species.
Make your own version of this Easter favorite!
1 fully-cooked shank half ham , bone in (pre-sliced is best)
1/4 cup white sugar
1/4 cup brown sugar
1/2 cup honey
¼ teaspoon ground cinnamon
¼ teaspoon ground nutmeg
¼ teaspoon ground cloves
1⁄8; teaspoon paprika
1 dash ground ginger
1 dash ground allspice
First you must slice your ham, if it is not already sliced. Use a very sharp knife to cut the ham into very thin slices around the bone.
Do not cut all the way to the bone or the meat may not hold together properly as it is being glazed. You want the slices to be quite thin, but not so thin that they begin to fall apart of off the bone.
You may wish to turn the ham onto its flat end and cut around it starting at the bottom. You can then spin the ham as you slice around and work your way up.
Mix the ingredients together in a small bowl. (I like to make double this recipe for a nice large ham).
Lay down a couple sheets of wax paper onto a flat surface, such as your kitchen counter. Pour the honey/sugar mixture onto the wax paper and spread it around evenly.
Pick up the ham and roll it over the sugar mixture so that it is well coated. Do not coat the flat end of the ham, just the outer surface which you have sliced through.
Turn the ham onto its flat end on a plate. Use a kitchen torch with a medium-size flame to caramelize the sugar.
Wave the torch over the sugar with rapid movements, so that the sugar bubbles and browns, but does not burn. Spin the plate so that you can torch the entire surface of the ham.
Repeat the coating and caramelizing process until the ham has been well-glazed (don’t expect to use all of the sugar mixture).
Serve the ham cold or re-heat.
I was a huge fan of the Nancy Drew mysteries when I was growing up. I imagined that the author of the series, Carolyn Keene, was a sophisticated New York socialite who dashed off books for girls like me in between drinking Champagne and eating caviar.
When I grew up, I learned that “Carolyn Keene” was the pseudonym of multiple authors who wrote my beloved mystery stories for the ominously named “Stratemeyer Syndicate”.
Apparently, Edward Stratemeyer, the founder of the Syndicate, hired writer Mildred Wirt, later Mildred Wirt Benson, to write the manuscripts for the Nancy Drew books. Mildred was paid $125 for each book and was required by her contract to give up all rights to the work and to maintain confidentiality.
Mildred and Harriet Adams (Stratemeyer’s daughter) are often credited as the primary writers of the Nancy Drew books. Also involved in the Nancy Drew writing process were Harriet’s daughters, who gave input on the series and sometimes helped to choose book titles. The Syndicate’s secretary, Harriet Otis Smith, invented the characters of Nancy’s friends Bess and George.
I still think Carolyn Keene exists out there somewhere. 🙂
- The Case of the Missing Author (blogs.loc.gov)
- Nancy Drew for $6500?! (heydeadguy.typepad.com)
- February One A Day – Day 19 – Call Me Nancy Drew (fromthecsweet.com)
- My first post! (mysteryplayer.wordpress.com)
- Mysteries: My First Literary Love (cuppacozy.wordpress.com)
- Nancy Drews First Clue….. (mysteryplayer.wordpress.com)
- Quilting With Nancy Drew (blackberrycreek.typepad.com)
I was raised on cheese grits casserole. While I love the original, I also love this updated version.
Honey is a natural flavor enhancer. While there is only one tablespoon in this recipe, the honey makes the souffle tastier without making it sweet.
1½ teaspoons plus 2 tablespoons unsalted butter
½ cup finely grated Parmesan
3 2/3 cups milk (not skim)
1 cup stone-ground or old-fashioned grits
Salt and black pepper
1½ cups grated sharp cheddar
1 tablespoon honey
1 clove garlic, minced
1 teaspoon hot pepper sauce
4 large eggs, separated, at room temperature
6 ounces baby spinach leaves (7½ cups loosely packed)
6 scallions thinly sliced (2/3 cup), 1 tablespoon reserved
Directions: Grease a 2-quart souffle dish with 1½ teaspoons butter, dust with 3 tablespoons of the Parmesan, and set aside.
In a medium non-stick saucepan bring the milk and the 2 tablespoons of butter to a simmer over medium heat. Add the grits in a slow, steady stream, stirring constantly. Add 1 teaspoon salt, reduce heat to medium-low, and cook, stirring, until grits are thick and begin to pull away from the sides of the pan when you stir, 7 to 10 minutes.
Remove pan from heat and stir in 1¼ cups of the cheddar, the remaining Parmesan, honey, garlic, hot pepper sauce, and black pepper to taste. Set aside to cool slightly, about 15 minutes. Taste the grits and adjust the seasoning, if necessary. Add the egg yolks one at a time, stirring vigorously to incorporate each before adding the next. Stir in the spinach by handfuls.
With an electric mixer, beat the egg whites until they are thick and glossy and hold stiff peaks. Add a quarter of the whites to the grits mixture and, using a spatula, stir until just combined. Add remaining whites and rapidly but gently fold them in along with the scallions.
Spoon the batter into the prepared dish, smooth, sprinkle with the remaining cheddar, and bake at 450 degrees for 10 minutes. Reduce the heat to 375 degrees and continue baking until the souffle is puffed, golden brown, and barely jiggles when you shake the pan, 35 to 40 minutes longer. Sprinkle with reserved scallions and serve at once.
Reprinted from the MailOnline
PUBLISHED: 17:44 EST, 26 January 2013
Late on a January evening in 1962, Her Serene Highness Princess Grace of Monaco is drinking heavily in her 235-room pink palace overlooking the Mediterranean.
When she gave up her Hollywood career to marry Prince Rainier – the ruler of the tiny tax haven – Grace Kelly, as she then was, believed that she had found the perfect husband.
Six years later, however – after bearing him an heir, Albert, and an elder daughter, Caroline – she is so disillusioned she has decided she will flee back home to America, where she has been offered $1 million to star in Marnie, a new Alfred Hitchcock thriller.
The fee – $7.6 million in today’s terms – is staggering.
But it’s not the money that has attracted her, she confides to her husband’s chaplain and closest adviser, Father Francis Tucker, who has joined her in the pink palace for a glass of whisky. Rainier’s tyrannical rules and explosive temper have worn her out, the beautiful 32-year-old tells the elderly priest.
What will happen, she asks him, if she accepts the Hitchcock role and seeks a divorce?
‘Your children will suffer most,’ replies Tucker. ‘They are heirs to a European throne. You’ll be lucky to see them again. I suppose the world will also hang its head in disappointment.’
The shock scene is taken from the script of Grace Of Monaco, a new film in which Nicole Kidman portrays Grace as the lonely and desperate victim of an abusive husband.
The project, which also stars Tim Roth as Rainier and Frank Langella as Father Tucker, was recently denounced by Grace’s son, Prince Albert, and his sisters Caroline and Stephanie, as ‘needlessly glamourised’ and riddled with ‘major historical inaccuracies and a series of purely fictional scenes’.
But the 106-page script, which has been seen exclusively by The Mail on Sunday and is registered with the Hollywood Writers’ Guild, is based on hundreds of interviews biographers have conducted over many years with palace insiders and other first-hand sources.
The family’s real fear, it seems, may be that the film has broken a long-standing Hollywood taboo about bringing the truth about the marriage to the big screen – and it may set the stage for more embarrassing projects.
While Rainier sleeps in a separate room from Grace in the script, and is said to be constantly ‘busy’ during the daytime, the production glosses over accusations that he was unfaithful.
‘This film really is a very slim slice of Grace’s life and it is nowhere near as negative as it could be,’ Wendy Leigh, a biographer of the princess, said last night.
ACCORDING to her 2007 book, True Grace, the suave, cigar-smoking prince began cheating on Grace soon after she became pregnant during their honeymoon. Within months, he had taken at least three mistresses.
‘I think the family were hoping to stop the film and that this is their warning shot to producers who might want to do the full story about Rainier’s promiscuity and cruelty,’ Ms Leigh said.
‘Grace was humiliated and she was extremely unhappy. She was surrounded by decadence and Rainier’s disreputable friends.’
Blonde, blue-eyed and with a sultry sex appeal that casting directors compared to Marlene Dietrich, Grace herself was hardly an innocent.
Grace Kelly, pictured left in 1955, is being played Nicole Kidman in a new film about her, Grace of Monaco
The daughter of a socially ambitious Philadelphia brickworks owner, she became infatuated with several of her leading men.
While shooting the Hitchcock thriller Dial M For Murder in 1954, she scandalised Hollywood by conducting an affair with her married co-star, Ray Milland. She met Rainier during a photoshoot in 1955 at his palace. Six years her senior, he was seeking a wife with the help of a crony, the Greek shipping baron Aristotle Onassis, played in the film by Robert Lindsay.
His quest was a matter of urgency. If he failed to conceive a legitimate heir, Monaco would become a French protectorate under the terms of a 1918 treaty.
After she submitted to an examination to prove she was capable of bearing children, he presented her with a 12-carat diamond engagement ring. ‘I fell in love with Prince Rainier,’ she confides in the film’s opening scene. ‘What followed was more difficult than I had thought.’
A silver Rolls-Royce delivers Alfred Hitchcock – played by Roger Ashton-Griffiths – to the palace, where he is greeted by Grace’s scheming lady-in-waiting, Madge Tivey-Faucon (Parker Posey).
Madge has been chosen for her job by Rainier – her chief qualification for the role being her willingness to spy on Grace’s every move.
Hitchcock is puzzled that there is no sign of the prince. A palace retainer quietly tells him: ‘He never comes. Far too busy.’
Speaking little French, Grace is bored and homesick, occupying herself by preparing pumpkin soup and other American dishes for Ray, as she calls Rainier in rare moments of tenderness.
The Monaco climate does not agree with her. Her eyes are reddened from conjunctivitis and she suffers from hayfever and insomnia. Hitchcock turns up just as she is composing a secret letter to her mother to confide she is miserable and wants to end the marriage.
Now Hitchcock is giving her the perfect excuse to leave in a matter of weeks. ‘Universal will pay you one million dollars,’ he says. ‘It’s going to be the role of a lifetime.’
‘Do I look that unhappy, Hitch?’ she asks wearily.
‘You look tired, Gracie,’ he says.
It isn’t only Rainier’s tantrums and constant absences that have brought her marriage to the point of breakdown. As ‘his’ princess, she must submit totally to his rules which, according to the script, include smiling sweetly at his side and never voicing an opinion.
At a New Year’s Eve party on the Onassis yacht, he grows red-faced with rage when she engages French President Charles de Gaulle in a debate about the UK-US special relationship. Rainier furiously confronts her when they return home. ‘This is not America, Grace! People don’t just speak their minds.’
‘What did you expect me to say?’ she asks.
‘I don’t know. You used to be an actor. Act,’ he snarls.
Madge, he adds, has informed him of Hitchcock’s visit. ‘She is very loyal,’ he reminds his wife. Pecking a kiss on her forehead, he retires for the night, closing the door to his bedroom behind him.
Some biographers claim Rainier was violent as well as a control freak. During a tennis doubles match, he allegedly aimed a ball straight at Grace’s face. When it hit her, the friend who was his doubles partner defended him, saying he was just ‘desperate to win’.
The film treads carefully on the issue. He is verbally abusive to Grace, flying into a rage when she shears her long hair into a fashionable bob. He shouts that she did not seek his permission: ‘It looks dreadful. It yells of disrespect.’
When Grace finally plucks up the courage to tell Rainier that she would like to accept Hitchcock’s million-dollar offer of the leading role in Marnie, he assures her: ‘I won’t stand in your way.’
But his words ‘don’t ring true’, and when her plans for the movie are leaked to the press – she suspects by palace plotters – the prince’s 30,000 subjects are horrified.
Smashing a glass he is holding to the floor, Rainier tells Grace he has changed his mind in the face of the outcry. ‘You’ll have to call Mr Hitchcock and turn him down,’ he orders. ‘We’ll make a show of how happy you are here.’ ‘That’s not your decision to make,’ she says. ‘I am the prince, and your husband,’ he storms. ‘You will and you must!’
In the end, the role of Marnie went to another Hitchcock protegee, Tippi Hedren.
The film’s most contentious claim is that Grace eventually sought a divorce from Rainier.
The director, Olivier Dahan, has not identified the script’s precise sources for the claim, but they would appear to include a mysterious book, Grace: A Disenchanted Princess, published under a pseudonym in France in 2004.
It quoted one Rainier relative, Christian de Massy – whose mother, Princess Antoinette, was the prince’s sister – as recalling that Grace was heartbroken when she was forbidden to do Marnie.
Despondent about life in a ‘golden cage’, she allegedly consulted an American divorce lawyer but, after being advised that she would lose her children, resigned herself to her fate in Monaco.
The royals – who were shown the screenplay when Dahan applied for permission to shoot in Monaco – claim that to their ‘astonishment’, their ‘numerous requests for changes’ were ignored.
DAHAN has promised, however, that the film, which he started to shoot last August in Monaco and Paris, will be released on schedule early next year. ‘I think we have a misunderstanding,’ he said, insisting that he neither needs the royal family’s permission, nor has sought it. ‘We never asked them to endorse anything,’ he stresses.
The new film draws to a close when Grace stumbles on evidence that Antoinette, portrayed by Geraldine Somerville, is conspiring with France to seize control of the principality in a coup.
As part of this treacherous deal, de Gaulle has agreed that Christian, who at the time was just 13, will assume the throne.
The Mail on Sunday is withholding the exact details of the suspense-filled denouement to the purported plot – which critics claim involves considerable licence on the film- makers’ part as Antoinette clashed with her brother in the Fifties.
One clue, however: it leads to a reconciliation between Grace and Rainier, and she bears their third and final child, Stephanie.
The screenplay ends with one simple line: ‘Grace Kelly never acted again.’
Worn down by disappointment, she died in a 1982 car crash, apparently after suffering a stroke.
- “Grace of Monaco” is Set For December 27th Release (thespecsheet.wordpress.com)
- The Weinstein Company picks up Nicole Kidman’s “Grace of Monaco” (panarmenian.net)
- Too Early To Talk 2014 Oscars? Harvey Weinstein Buying ‘Grace Of Monaco’ With Nicole Kidman As Grace Kelly (deadline.com)
- TOLDJA! The Weinstein Company Finds Oscar Candidate In ‘Grace Of Monaco;’ December 27 Limited Release Set (m.deadline.com)
- TOLDJA! The Weinstein Company Finds Oscar Candidate In ‘Grace Of Monaco;’ December 27 Limited Release Set (deadline.com)
- Grace of Monaco: Nicole Kidman looks a princess (guardian.co.uk)
- TWC Closes Deal For ‘Grace Of Monaco,’ Sets Dec. 27 Release (variety.com)
- First Official Look at Gorgeous Nicole Kidman as the ‘Grace of Monaco’ (aceshowbiz.com)
- Nicole Kidman as Grace Kelly in Grace of Monaco: first look (telegraph.co.uk)
- ‘Grace of Monaco’ Release Date: Nicole Kidman Plays Princess Later This Year (gantdaily.com)